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			10:10  
			 (Short Film - 2000) 
				
					
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									| ROLE:  Magnus GENRE: Drama COUNTRY:  Sweden PREMIERED:  January 29, 2000 | 
									
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						| Synopsis |  
						| The management behind the Göteborg 
						Film Festival got the idea for the relay movie "90 
						Minutes of the 90's" during the festival in 1989. The 
						idea was that Sweden would be depicted year by year by 
						ten filmmakers in about nine-minute-long short films. 
						The premiere of the final product, a feature film in ten 
						parts, would take place in 2000. "10:10", in which 
						Michael starred, was the final film of the project.
 The interest among the films turned out to be very 
						large, and as a partner, the Swedish Film Institute and 
						Sveriges Television in Gothenburg were chosen. Annually, 
						SVT showed the project's current 90's film. In addition, 
						all relay films were shown each year as part of the film 
						festival's program.
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						| Film Details |  
						| Cast  Cecilia Bergqvist - Bosses tjejAnita Bornebusch - Ingrid
 Björn Ekelöf - Torsten
 Cecilia Frode - Anki
 Maria Heiskanen - Kia
 Rebecka Hemse - My
 Björn Kjellman - Gustav
 Kjell Lennartsson - Holger
 Ulla-Britt Norrman-Olsson - Berit
 Michael Nyqvist - Magnus
 John Svensson - Bosse
 Beata von Oelrich - Angelica
 
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 Director - Daniel AlfredsonCinematography - Peter Mokrosinski
 
 
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						| Commentary |  
						| Gunnar Bergdahl, Festival Director (1994-2002): 
						An impossible project. Which nevertheless was to be. The 
						Festival (the idea was born out of conversations between 
						Freddy Olsson and yours truly) mirrored a passing decade 
						as part of our growing focus on Swedish film.
 SVT screened the films and the Swedish Film Institute 
						funded Roy Anderson's terse aesthetic rebirth, Agneta 
						Fagerström's dysfunctional family, Björn Runge's racists 
						on the beach, Gunnel Lindblom's profetic reflection, 
						Lisa Ohlin's dreamlike celestial journey, Hans 
						Alfredson's fairytale, Eva Bergman's restaurant kitchen 
						culture clash, Reza Parsa's solidarity with '90s kids, 
						Rolf Börjlind's theatrical expressionism and Daniel 
						Alfredson's summarizing final note. Disparate? No doubt! 
						Seen in that light, it was a fragmentation typical of 
						the times. But seen through the lens of the time that 
						has passed, we also glimpse the key to our own history 
						after the facts: climate crisis, racism and human rights 
						turned into political commodities.
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